{"id":10399,"date":"2025-08-22T14:21:19","date_gmt":"2025-08-22T12:21:19","guid":{"rendered":"https:\/\/orange-cat-584307.hostingersite.com\/?post_type=projects&p=10399"},"modified":"2026-03-18T11:11:23","modified_gmt":"2026-03-18T10:11:23","slug":"kidnapped-frames-of-a-contemporary-landscape","status":"publish","type":"projects","link":"https:\/\/wpzimmer-old.spot-digital.co\/en\/projects\/kidnapped-frames-of-a-contemporary-landscape\/","title":{"rendered":"KIDNAPPED: A Training Ground for the Brutality that is Coming"},"content":{"rendered":"\n

Hello, I am Shelley Duvall. Welcome to tonight\u2019s tale show. Imagine, if you will, a theater in the heart of Europe. And inside this theater, there are two clowns, Terror and Compassion, who arrive from far, far, far away… They do not bring balloons or candy. Instead, they kidnap a bunch of children to teach them that our world is in captivity. Because in this tale, the planet has been stolen, the territories are systematically robbed, the language is kidnapped, and even bodies and desires are looted and bottled. But hey, don’t give up hope! Because the clowns laugh, they weep, they are haunted by d\u00e9j\u00e0-vus, conjuring ghosts of history, dictators, bankers, philosophers, who march across the stage showing us how the fuck we got here. They whisper about fascism, about climate change, about our lives turned into a casino. And the children\u2026 oh, the children! They grow too fast in this captivity. Some escape, some vanish, some fall silent forever. Until, at last, the survivors sit among the ruins, listening to the final planetary journal: an Earth where the dead outnumber the living, a stage designed not for us, but for them, the corpses who inherit the Planet. So, sit close and welcome to tonight\u2019s tale show. It\u2019s called: KIDNAPPED: A Training Ground for the Brutality that is Coming<\/em>.<\/p>\n\n\n\n

Trigger Warning: this performance kidnaps you. The scene contains climate anxiety, fascism, contemporary corpses, critical speech, colonial and capitalist ruins, and ongoing violence. The audience may be exposed to participation, loud sounds, strong imagery, and political discomfort.

Read the riveting review by journalist Wouter Hillaert for PZAZZ about the Belgian premiere in Brussels https:\/\/www.pzazz.theater\/nl\/recensies\/performance\/de-eigen-parochie-terug-naar-school<\/a>

If you want to know more about the process of making this performance: https:\/\/e-tcetera.be\/kidnapped-rodrigo-batista-mariana-senne\/<\/a>
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images by Victoriano Moreno & Elodie Vreeburg<\/figcaption><\/div>\n\n\n\n

<\/p>\n\n\n\n

About Rodrigo Batista<\/h2>\n\n\n\n

Rodrigo Batista is a Brazilian theater director and teacher based in Belgium, known for politically charged performances composed of intense physical research practices, geopolitical commentary, and acidic criticism. With 15 years of foundation in studies about biopolitics, tragedy, economic crises, propaganda, and anti-colonial themes, his recent work explores theater as an unapologetic aesthetic response to the crises of contemporary capitalism and colonial ruins. The last work was made in the frame of Rodrigo\u2019s Master\u2019s Degree at DAS Theater Amsterdam. \u201cThe Furious Rodrigo Batista (Side A) + The B-side + Bonus Track\u201d is a theater piece divided into three parts and presented at several venues and festivals across Europe and Brazil.<\/p>\n\n\n\n

About Mariana Senne<\/h2>\n\n\n\n

Mariana Senne, born in S\u00e3o Paulo, Brazil, is a Berlin-based theatre maker and performer whose current work explores intercultural theatrical practices and develops new forms of staging, with a focus on feminist topics. As a performer, she works with collectives and directors, especially from the independent scene, including Claudia Bosse\/Theater Combinat (Berlin\/Vienna), Andcompany&Co (Berlin), Swoosh Lieu (Frankfurt), Luise Meier\/Chistian Filips (Berlin), SchmiM\/Adamczak (Berlin), Joachim Robbrecht & De Warme Winkel Groupe (Amsterdam), Jan Brokof (Berlin), Friendly Fire (Leipzig) and Karin Beier (Hamburg). She graduated from the Master’s Program Das Theatre Amsterdam, where she developed her last project “I love you but I need to kill you now”, in June 2021. She was awarded by the Recherche Stipendium – Fonds Darstellende K\u00fcnste, and was able to develop further her punk&carnival aesthetics. She likes to work with connections between personal experiences and larger socio-political structures, using the body as the first engine.<\/p>\n\n\n\n

You’ll find the images in high resolution here<\/a><\/p>\n\n\n\n

EXTRA INFO<\/summary>\n

Project year: 2025
Language: English<\/p>\n<\/details>\n\n\n\n

CREDITS<\/summary>\n

Concept by<\/em> Rodrigo Batista in collaboration with Mariana Senne
Directed by <\/em>Rodrigo Batista
Performance by <\/em>Mariana Senne & Rodrigo Batista
Dramaturgy by<\/em> Luiz Pimentel, Rodrigo Batista & Mariana Senne
Text by<\/em> Luiz Pimentel quoting @trenzinhodaalegria, A Fadinha do Brasil, Augusto Pinochet, Bertolt Brecht, Charles Strouse, Declaration of the Rights of Man and of the Citizen, Donald Rockefeller, Harold Arlen, Kurt Cobain, Luise Meyer, Margaret Thatcher, Mark Fisher, Michael Jackson, Milton Friedman, Milton Santos, Pier Paolo Pasolini, Rodrigo Batista, Senhorita Bira, Shelley Duvall, Steve Jobs, William Shakespeare, Yip Harburg and more\u2026
Video by <\/em>Kathleen Kunath
Sound by<\/em>Cain\u00e3 Vidor
Special Effects by<\/em> Renan Ramiro
Technics and light by <\/em>Jurgen Fonteijn
Outside eye<\/em> Lotte Vrancken
Production by<\/em> wpZimmer
Co-Production of<\/em> Beursschouwburg, workspacebrussels, Kunstwerkplaats, Monty & detheatermaker
With the support of<\/em> de Brakke Grond, Campo & detheatermaker
Research funded by<\/em> Flanders State of the Art (Beurs), Mestizo Arts Platform & detheatermaker
Images by<\/em> Victoriano Moreno en Elodie Vreeburg
Special acknowledgements<\/em>: Aline Olmos, Annabel Reid, Benne Dousselaere, Campo, Caroline Lee-Jeong, Daniel C\u00f3rdova, De Brakke Grond, Fl\u00e1via Pinheiro, Jan Brokof, Joachim Robbrecht, Juliano Bonamigo, Katja Dreyer, KVS, Luise Meyer, Mestizo Arts Platform-WIPCOOP, Mulanga Nkolo, Peter Coppens, Proximamente Festival, Silvia Rigon, Tine De Pourcq, Tom Oliver, Vlaamse Gemeenschap (research beurs), Worm Rotterdam, Z\u00e9 de Paiva, the children Sam\u00ed and Ant\u00f4nio, and to all our mothers.<\/p>\n<\/details>\n\n\n\n

PROJECT DATES<\/summary>\n

03\/10\/2025, 20:00h, De Brakke Grond (premiere), Amsterdam (NL)
04\/10\/2025, 20:00h, De Brakke Grond, Amsterdam (NL)
06\/11\/2025, 20:30h, Beursschouwburg, Brussels (BE)
07\/11\/2025, 20:30h, Beursschouwburg, Brussels (BE)
19\/11\/2025, 20:30h, Monty, Antwerp (BE)
20\/11\/2025, 20:30h, Monty, Antwerp (BE)<\/p>\n<\/details>\n","protected":false},"featured_media":10426,"template":"","class_list":["post-10399","projects","type-projects","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nKIDNAPPED: A Training Ground for the Brutality that is Coming - wpZimmer<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KIDNAPPED: A Training Ground for the Brutality that is Coming - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"Hello, I am Shelley Duvall. Welcome to tonight\u2019s tale show. Imagine, if you will, a theater in the heart of Europe. And inside this theater, there are two clowns, Terror and Compassion, who arrive from far, far, far away… They do not bring balloons or candy. 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