{"id":1560,"date":"2019-01-28T15:05:56","date_gmt":"2019-01-28T15:05:56","guid":{"rendered":"https:\/\/wpzimmer.demonlabs.be\/?post_type=projects&#038;p=1560"},"modified":"2026-03-16T16:05:55","modified_gmt":"2026-03-16T15:05:55","slug":"corps-de-ballet","status":"publish","type":"projects","link":"https:\/\/wpzimmer-old.spot-digital.co\/en\/projects\/corps-de-ballet\/","title":{"rendered":"Corps de Ballet"},"content":{"rendered":"\n<p>In <em>Corps de ballet<\/em>, No\u00e9 Soulier uses the vocabulary of classical ballet to make apparent its inner organization. He draws on several analyses that he unfolds spatially and temporally. By playing in the interstices, he unsettles our expectations and captures what remains usually in the background: the way the dancers approach the movement, the intimacy of contacts in <em>pas de deux<\/em>, the structural links between steps, or the border between the meaningful gestures of ballet mime and an abstract movement phrase.<\/p>\n\n\n\n<div class=\"wp-block-blockgallery-masonry\"><div class=\"blockgallery has-no-alignment has-caption-style-dark has-gutter\"><ul class=\"has-grid-xlrg has-gutter-15 has-gutter-mobile-15\"><li class=\"blockgallery--item\"><figure class=\"blockgallery--figure\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"900\" src=\"https:\/\/wpzimmer.demonlabs.be\/wp-content\/uploads\/CORPSDEBALLET-1\u00a9LaurentPhilippe.jpg\" alt=\"\" data-id=\"3381\" data-link=\"https:\/\/wpzimmer.demonlabs.be\/en\/projects\/corps-de-ballet\/corpsdeballet-1laurentphilippe\/\" class=\"wp-image-3381\" srcset=\"https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-1\u00a9LaurentPhilippe.jpg 599w, https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-1\u00a9LaurentPhilippe-100x150.jpg 100w, https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-1\u00a9LaurentPhilippe-200x300.jpg 200w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><figcaption class=\"blockgallery--caption\">\u00a9 Laurent Philippe<\/figcaption><\/figure><\/li><li class=\"blockgallery--item\"><figure class=\"blockgallery--figure\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/wpzimmer.demonlabs.be\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe.jpg\" alt=\"\" data-id=\"3383\" data-link=\"https:\/\/wpzimmer.demonlabs.be\/en\/projects\/corps-de-ballet\/corpsdeballet-2laurentphilippe\/\" class=\"wp-image-3383\" srcset=\"https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe.jpg 900w, https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe-150x100.jpg 150w, https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe-300x200.jpg 300w, https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe-768x512.jpg 768w, https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/CORPSDEBALLET-2\u00a9LaurentPhilippe-600x400.jpg 600w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"blockgallery--caption\">\u00a9 Laurent Philippe<\/figcaption><\/figure><\/li><\/ul><\/div><\/div>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>EXTRA INFO<\/summary>\n<p>Project year: 2014<br>Duration: 30min.<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>CREDITS<\/summary>\n<p>Concept &amp; creation: No\u00e9 Soulier<br>Dance: Le Ballet de Lorraine<br>Costumes: No\u00e9 Soulier, Martine Augsbourger<br>Light design: No\u00e9 Soulier, Olivier Bauer<br>Music dramaturgy: Aur\u00e9lien Azan-Zielinski<br>Music: 4\u00e8me mouvement de la Symphonie n\u00b04 en Ut mineur D.417 van Schubert, sc\u00e8ne finale de Rigoletto van Verdi (3\u00e8me acte, Gilda\/ Rigoletto)<br>Musical arrangement: Jacques Gandard<br>Thanks to: Chiara Valle-Vallomini, Mark Wallinger<br>Musical execution: l\u2019Orchestre symphonique et lyrique de Nancy<br>Production: Centre Chor\u00e9graphique National (FR), Ballet de Lorraine<br>Co-production: l\u2019Op\u00e9ra national de Lorraine (FR)<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>PROJECT DATES<\/summary>\n<p>14\/03\/2014, L\u2019Op\u00e9ra National de Lorraine, Nancy (FR)<\/p>\n<\/details>\n","protected":false},"featured_media":1561,"template":"","class_list":["post-1560","projects","type-projects","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Corps de Ballet - wpZimmer<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Corps de Ballet - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"In Corps de ballet, No\u00e9 Soulier uses the vocabulary of classical ballet to make apparent its inner organization. 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