{"id":4132,"date":"2019-04-25T13:31:45","date_gmt":"2019-04-25T13:31:45","guid":{"rendered":"https:\/\/wpzimmer.demonlabs.be\/?post_type=residencies&p=4132"},"modified":"2019-04-25T13:49:11","modified_gmt":"2019-04-25T13:49:11","slug":"when-i-look-at-a-strawberry-i-think-of-a-tongue","status":"publish","type":"residencies","link":"https:\/\/wpzimmer-old.spot-digital.co\/en\/residencies\/when-i-look-at-a-strawberry-i-think-of-a-tongue\/","title":{"rendered":"When I look at a Strawberry, I think of a Tongue"},"content":{"rendered":"\n

In When I Look at a Strawberry, I Think of a Tongue<\/em> dancer\/choreographer Lisi Estar\u00e0s, musician\/composer Mirko Banovic, theater maker\/actrice Kristien De Proost and dramaturge\/theater maker Sara Vanderieck combine their different disciplines and are inspired by Goliarda Sapienza\u2019s novel The Art of Pleasure<\/em>. Their different approaches come together in a multidisciplinary narration about a separate past and common present. The foursome meet each other under the pretext of Sapienza\u2019s issues on social and political engagement, personal growth, parenthood, sexual desire and aging.<\/p>\n\n\n\n

The intention is not to bring a literal reproduction of the 700 page-thick novel on stage, but to use these pages rather as a starting point for the dialogue between the four artists about life and \u201cbeing\u201d in the world today and how to convey that. The result is a series of \u201ctableaux\u201d inspired by the novel and their own personal relationship with the contemporary world and the specific context in which they create this performance. The research will take place on the margins between abstract and concrete, private and public, fiction and reality.<\/p>\n\n\n\n

To ensure that every performance takes place as much as possible in the here and now, it has to be as flexible and adaptable. Each performance is accompanied by a unique \u201cplaylist\u201d of selected \u201ctableaux\u201d, based on the artistic urgency of that day and context. In order to make the performance as agile as possible, it is initially created for different settings outside the regular theater halls: from small rooms, to public spaces, to caf\u00e9s or brasseries, to museums. In a second phase, a version of the work for theater will also be created. This version will be shown in the regular performing arts circuit. <\/p>\n","protected":false},"featured_media":4133,"template":"","class_list":["post-4132","residencies","type-residencies","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nWhen I look at a Strawberry, I think of a Tongue - wpZimmer<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"When I look at a Strawberry, I think of a Tongue - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"In When I Look at a Strawberry, I Think of a Tongue dancer\/choreographer Lisi Estar\u00e0s, musician\/composer Mirko Banovic, theater maker\/actrice Kristien De Proost and dramaturge\/theater maker Sara Vanderieck combine their different disciplines and are inspired by Goliarda Sapienza\u2019s novel The Art of Pleasure. 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