The black body<\/strong>, the first part of the title, is a code that will allow us to find forms -more or less harmonious, more or less beautiful, more or less performed through dance- between the virtuosity of great dancers like N\u00faria Guiu, Mag\u00ed Serra and Raquel Gualtero, the body- performative ingenuity of Txalo Toloza and Pere Jou, and the stage- creative intelligence of Quim Bigas.<\/p>\n\n\n\n
“My use of this concept comes mainly from Spinoza, who speaks of the body according to its capacity to affect or be affected. These are not different capacities, they always go together. When you affect something, you simultaneously expose yourself to being affected, albeit in a slightly different way from that in which you could have been affected a mere moment before.<\/em>“<\/p>Brian Massumi. Ejercicios de ocupaci\u00f3n Page 23 Editorial Pol\u00edgrafa<\/cite><\/blockquote>\n\n\n\n
HOW YOU THINK
The blue mind<\/strong>, second part of the title, is a question for the performers. What does the dancer think on the stage? Thoughts differ greatly, depending on each person\u2019s personality and the type of work, whether more choreographic, performative, repetitive, musical, physical, or aesthetic. What ideas come and go when the dancers move in silence? How could those thoughts be represented on the stage?<\/p>\n\n\n\n
![\"\"](\"https:\/\/wpzimmer-old.spot-digital.co\/wp-content\/uploads\/logo_irl_neerlandes_color.jpg\"){kind=logo}
<\/figure>\n","protected":false},"featured_media":3867,"template":"","class_list":["post-5133","residencies","type-residencies","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n