{"id":10436,"date":"2025-08-22T14:21:19","date_gmt":"2025-08-22T12:21:19","guid":{"rendered":"https:\/\/orange-cat-584307.hostingersite.com\/projects\/kidnapped-frames-of-a-contemporary-landscape\/"},"modified":"2026-03-18T12:41:40","modified_gmt":"2026-03-18T11:41:40","slug":"kidnapped-frames-of-a-contemporary-landscape","status":"publish","type":"projects","link":"https:\/\/wpzimmer-old.spot-digital.co\/nl\/projecten\/kidnapped-frames-of-a-contemporary-landscape\/","title":{"rendered":"KIDNAPPED: A Training Ground for the Brutality that is Coming"},"content":{"rendered":"\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

Hello, I am Shelley Duvall. Welcome to tonight\u2019s tale show<\/em>. Stel je voor: een theater in het hart van Europa. In dit theater zijn twee clowns, Terror en Compassion, die van heel, heel ver weg komen\u2026 Geen ballonnen, geen snoep. In plaats daarvan ontvoeren ze een groep kinderen om hen te tonen dat onze wereld een gevangenis is. Want in dit verhaal is de planeet gestolen, worden de gebieden systematisch beroofd, is de taal ontvoerd en worden zelfs lichamen en verlangens geplunderd en gebotteld. Maar h\u00e9, geef de hoop niet op! Want de clowns lachen, ze huilen, ze worden achtervolgd door d\u00e9j\u00e0-vus, ze roepen geesten uit de geschiedenis op, dictators, bankiers, filosofen, die over het podium marcheren en tonen hoe we hier in godsnaam terecht zijn gekomen. Ze fluisteren over fascisme, over klimaatverandering, over ons leven dat in een casino is veranderd. En de kinderen\u2026 oh, de kinderen! Ze groeien zo snel op in dit gevangenschap. Sommigen ontsnappen, sommigen verdwijnen, sommigen zwijgen voor altijd. Totdat uiteindelijk de overlevenden tussen de ru\u00efnes luisteren naar het laatste planetaire dagboek: een aarde waar de doden in de meerderheid zijn, een podium dat niet voor ons is ontworpen, maar voor hen, de lijken die de planeet erven. Dus ga lekker zitten en welkom bij de voorstelling van vanavond. Het heet: KIDNAPPED: A Training Ground for the Brutality that is Coming.<\/em><\/p>\n\n\n\n

Trigger Warning: deze voorstelling ontvoert je. De sc\u00e8ne bevat klimaatangst, fascisme, hedendaagse lijken, kritische uitspraken, koloniale en kapitalistische ru\u00efnes en aanhoudend geweld. Het publiek kan worden blootgesteld aan participatie, harde geluiden, sterke beelden en politiek ongemak.<\/p>\n\n\n\n

Lees hier de recensie van cultuurjournalist Wouter Hillaert voor PZAZZ: https:\/\/www.pzazz.theater\/nl\/recensies\/performance\/de-eigen-parochie-terug-naar-school<\/a><\/p>\n\n\n\n

ETCETERA schreef over het maakproces voor de premi\u00e8re in Amsterdam: https:\/\/e-tcetera.be\/kidnapped-rodrigo-batista-mariana-senne\/ <\/a><\/p>\n\n\n\n

Lees hier de recensie van PZAZZ https:\/\/www.pzazz.theater\/nl\/recensies\/performance\/intellectuele-terreur <\/a><\/p>\n\n\n\n

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foto’s door Victoriano Moreno & Elodie Vreeburg<\/figcaption><\/div>\n\n\n\n

Over Rodrigo Batista<\/h2>\n\n\n\n

Rodrigo Batista is een Braziliaanse theaterregisseur en docent die in Belgi\u00eb woont. Hij staat bekend om zijn politiek geladen voorstellingen die bestaan uit intensief fysiek onderzoek, geopolitieke commentaren en scherpe kritiek. Met vijftien jaar ervaring in studies over biopolitiek, tragedie, economische crises, propaganda en antikoloniale thema’s, onderzoekt hij in zijn recente werk theater als een onbeschaamde esthetische reactie op de crises van het hedendaagse kapitalisme en koloniale ru\u00efnes. Het laatste werk werd gemaakt in het kader van Rodrigo’s masteropleiding aan DAS Theater Amsterdam. \u201cThe Furious Rodrigo Batista (Side A) + The B-side + Bonus Track\u201d is een theaterstuk dat in drie delen is opgedeeld en op verschillende locaties en festivals in Europa en Brazili\u00eb is opgevoerd.<\/p>\n\n\n\n

Over Mariana Senne<\/h2>\n\n\n\n

Mariana Senne, geboren in S\u00e3o Paulo, Brazili\u00eb, is een in Berlijn gevestigde theatermaker en performer wiens huidige werk zich richt op interculturele theaterpraktijken en de ontwikkeling van nieuwe vormen van enscenering, met een focus op feministische thema’s. Als performer werkt ze samen met collectieven en regisseurs, vooral uit de onafhankelijke scene, waaronder Claudia Bosse\/Theater Combinat (Berlijn\/Wenen), Andcompany&Co (Berlijn), Swoosh Lieu (Frankfurt), Luise Meier\/Chistian Filips (Berlijn), SchmiM\/Adamczak (Berlijn), Joachim Robbrecht & De Warme Winkel Groupe (Amsterdam), Jan Brokof (Berlijn), Friendly Fire (Leipzig) en Karin Beier (Hamburg). Ze studeerde af aan het masterprogramma Das Theatre Amsterdam, waar ze in juni 2021 haar laatste project \u201cI love you but I need to kill you now\u201d ontwikkelde. Ze werd bekroond met de Recherche Stipendium \u2013 Fonds Darstellende K\u00fcnste en kon zo haar punk- en carnavaleske esthetiek verder ontwikkelen. Ze werkt graag met verbanden tussen persoonlijke ervaringen en grotere sociaal-politieke structuren, waarbij ze het lichaam als eerste motor gebruikt.<\/p>\n\n\n\n

Afbeeldingen in hoge resolutie vindt u hier<\/a><\/p>\n\n\n\n

EXTRA INFO<\/summary>\n

Project jaar: 2025
Taal: Engels, Portugees<\/p>\n<\/details>\n\n\n\n

CREDITS<\/summary>\n

Concept door<\/em> Rodrigo Batista in samenwerking met Mariana Senne
Geregiseerd door <\/em>Rodrigo Batista
Performance door <\/em>Mariana Senne en Rodrigo Batista
Dramaturgie door<\/em> Luiz Pimentel, Rodrigo Batista and Mariana Senne
Tekst door<\/em> Luiz Pimentel quoting @trenzinhodaalegria, A Fadinha do Brasil, Augusto Pinochet, Bertolt Brecht, Charles Strouse, Declaration of the Rights of Man and of the Citizen, Donald Rockefeller, Harold Arlen, Kurt Cobain, Luise Meyer, Margaret Thatcher, Mark Fisher, Michael Jackson, Milton Friedman, Milton Santos, Pier Paolo Pasolini, Rodrigo Batista, Senhorita Bira, Shelley Duvall, Steve Jobs, William Shakespeare, Yip Harburg, and more\u2026
V\u00eddeo door <\/em>Kathleen Kunath
Geluid door <\/em>Cain\u00e3 Vidor
Special Effects door<\/em> Renan Ramiro
Techniek en licht door <\/em>Jurgen Fonteijn
Outside eye<\/em> Lotte Vrancken
Productie door<\/em> wpZimmer
Co-Productie van<\/em> Beursschouwburg, workspacebrussels, Kunstwerkplaats, Monty, en detheatermaker
Met de steun van<\/em> de Brakke Grond, Campo, detheatermaker
Research gefinancierd door<\/em> Flanders State of the Art (Beurs), Mestizo Arts Platform en detheatermaker
Foto’s door<\/em> Victoriano Moreno en Elodie Vreeburg
Erkenning<\/em>: Aline Olmos, Annabel Reid, Benne Dousselaere, Campo, Caroline Lee-Jeong, Daniel C\u00f3rdova, De Brakke Grond, Fl\u00e1via Pinheiro, Jan Brokof, Joachim Robbrecht, Juliano Bonamigo, Katja Dreyer, KVS, Luise Meyer, Mestizo Arts Platform-WIPCOOP, Mulanga Nkolo, Peter Coppens, Proximamente Festival, Silvia Rigon, Tine De Pourcq, Tom Oliver, Vlaamse Gemeenschap (research beurs), Worm Rotterdam, Z\u00e9 de Paiva, the children Sam\u00ed and Ant\u00f4nio, and to all our mothers.<\/p>\n<\/details>\n\n\n\n

SPEELDATA<\/summary>\n

03\/10\/2025, 20:00u, De Brakke Grond (premiere), Amsterdam (NL)
04\/10\/2025, 20:00u, De Brakke Grond, Amsterdam (NL)
06\/11\/2025, 20:30u, Beursschouwburg, Brussel (BE)
07\/11\/2025, 20:30u, Beursschouwburg, Brussel (BE)
19\/11\/2025, 20:30u, Monty, Antwerpen (BE)
20\/11\/2025, 20:30u, Monty, Antwerpen (BE)<\/p>\n<\/details>\n","protected":false},"featured_media":10427,"template":"","class_list":["post-10436","projects","type-projects","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nKIDNAPPED: A Training Ground for the Brutality that is Coming - wpZimmer<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KIDNAPPED: A Training Ground for the Brutality that is Coming - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"SYNOPSIS Hello, I am Shelley Duvall. Welcome to tonight\u2019s tale show. Stel je voor: een theater in het hart van Europa. In dit theater zijn twee clowns, Terror en Compassion, die van heel, heel ver weg komen\u2026 Geen ballonnen, geen snoep. 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